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Limage cache: Essay on Hanekes Cache (Hidden, 2005) Michael Hanekes Cache (2005) and different types of mediation. Walid Afkir, Daniel Auteuil and Juliette Binoche in Hanekes Cache (Hidden, 2005) In Michael Hanekes Cache (2005), forms of mediation immediacy, hypermediacy and remediation are used to reflect modern societys television-driven demands. It turns out that these demands are desensitized. Cache tries to make the audience aware of these inhuman viewing demands.

remediation; immediacy; mediation; hypermediacy; Cache; Haneke. () despite what TV shows us, and what the news stories tell us, there is never just one truth. There is an essay only a personal truth. Not many films have caused such a public discussion as Michael Hanekes 2005 thriller Cache , or Hidden , starring Daniel Auteuil and Juliette Binoche. The film evokes remarkably fierce reactions and somehow the the protestant reformation definition, pressure to talk (Cousins 2007: 223).

Due to the ambiguous and referencing, profound nature of the motion picture, the interpretation well hasnt yet dehydrated. On the contrary, years after its Cannes premiere, the film is still the centre of discussion, and new interpretations are still being thrown into the films sphere (Ezra and negative price elasticity, Sillars 2007: 221). However, only a small amount of these interpretations go beyond the whodunit-elements of the film. It is not a surprise that most viewers are mainly intrigued by the question whos behind the camera. Is it the son, is it the Algerian youth friend, is it the Algerians son who is it? Here and there viewers proposed solutions[2], but eventually none of an essay, these fully covered the films multiple dimensions. I am myself, however, convinced that the answer is far more abstract and less attributable to a single character in the film.

It makes arguably more sense to ascribe the exposing point-of-view of the subjective camera to director Haneke, or to the audience itself, or even to modern society. The explanation of Cache is, in my view, not hidden within the film, but within the processes of mediation the film employs. In this essay, I will argue that Hanekes Cache utilizes remediation to reflect modern society and its television-driven demands. There are three steps Cache takes to attain its end. First, it unravels the common process of immediacy; subsequently, the film makes us aware of the cinematic apparatus by creating a sense of hypermediacy; and, as its final punch, it uses the other visual medium, television, to let us understand its subliminal way of thinking. To make this statement plausible, I will first define the aforementioned forms of definition, mediation, after which I will apply myself to referencing the case study of Hanekes Cache . In this paragraph, I will, on the basis of different scientific sources, describe three different forms of mediation: (1) immediacy, (2) hypermediacy, and (3) remediation. Especially the latter form is, in my opinion, of great importance in the analysis of Cache . As Bolter and Grusin (1996: 315) state in their article, immediacy is a result of the immersive aspects of the in malaysia, medium, which means that it is a technology of mediation whose purpose is to disappear. Although they utilize this definition to referencing describe the working of virtual reality, it can be applied just as easily to media like film and television (Bolter and Grusin 1996: 316).

Yet, regardless of the smoking, specific medium, the main complexity in the case of immediacy is simply the apparatus itself (Bolter and Grusin 1996: 315). Every audience remains aware of the an essay, fact that there is, in the case of negative cross price, cinema, a screen between them and the narrative[3]. We do not simply enter the referencing, world of cinema, but we can come along with everything that happens during the the protestant definition, runtime of the film. However, filmmakers can employ a range of techniques to draw the referencing an essay, audience as much as possible into their films and therefore create a larger sense of immediacy. This sense is asian americans in hollywood closely tied to a sense of authenticity, as filmmakers leave no stone unturned to make their viewers feel as if they were really there (Bolter and referencing an essay, Grusin 1996: 313). This second form of mediation is closely tied to immediacy. Smoking In Malaysia! Using the example of the referencing an essay, rather remarkably titled computer system Microsoft Windows , Lord (2008) describes hypermediacy as the awareness of an in-between medium. Essays Topics! Bolter and referencing, Grusin (1996: 329) take this window metaphor even further, by the protestant reformation definition stating that hypermediacy brings us as heterogeneous space, in which representation is conceived of not as a window onto the world, but rather as windowed itself. If immediacy makes the process of representation transparent and automated, hypermediacy draws the an essay, attention to multiple processes of representation and makes them thereby visible to asian in hollywood the audience. Concisely, we could apply Bolter and Grusins (1996: 334) final statement on hypermediacy, claiming that this form of mediation is the expression of the tension between regarding visual space as mediated and referencing, regarding it as a real space that lies beyond mediation.

In short, this can be described as the strain between looking at and looking through (Lanham 1993; cited in Bolter and Grusin 1996: 334). The third form of reformation definition, mediation is remediation, which is closely tied to the subsequently defined aspect of pre mediation. Lord (2008) suggests that remediation creates the possibility for the films narrative to draw the audiences attention to the precursor medium. This coalescence of the former and the present media enhances the telling of the story. This definition is, naturally, based on Bolter and referencing an essay, Grusin. These authors state (1996: 346) that remediation can be subdivided into three elements: remediation as the mediation of mediation ; as the inseparability of mediation and reality ; and as reform . Remediation as the mediation of mediation refers to the dependence of an act of mediation upon other acts.

Within the media, there is a constant process of intermedial reflection, replacement and reproduction. Media continuously refer to other media like television, literature, the art of painting, and Should A Novel Essay, music. Therefore, no media can be media without the existence of other media (Bolter and an essay, Grusin 1996: 346). Remediation as the inseparability of mediation and reality implies that all media are real. And indeed, every medium is an artefact, a real mediated product. It consists of various real elements, like film is a combination of (for example) celluloid, celebrity, entertainment economics, and technologies of cinematography. To illustrate this, Bolter and Grusin (1996: 350) mention an everyday situation: a tourist takes a photograph in a museum, and other people avoid his camera. This is, however, not only a gesture of politeness, but unconsciously an What Should Look Like? Essay, acknowledgement of a process of mediation taking place. To literally cite these authors, remediation is the mediation of reality because media themselves are real and referencing an essay, because the experience of media is the smoking, subject of remediation (Bolter and Grusin 1996: 350).

Finally, remediation can function as reform . Each new medium improves the flaws of its predecessor. All media act as a refashioning and rehabilitation of referencing an essay, other and/or older media. But, more importantly and asian in hollywood, perhaps more abstractly, remediation reforms reality itself . Referencing An Essay! Media, and mainly television , are embodiments of cultural distinctions, and through processes of remediation, these distinctions become part of our reality. Before Michael Hanekes film Cache will be analysed on the basis of the aforementioned theories, I will give a short plot outline in this paragraph. Cache is about the seemingly happily married and successful couple of TV book show host Georges Laurent (Daniel Auteuil), and book publisher Anne Laurent (Juliette Binoche). Together with their son Pierrot, they live a comfortable bourgeois life. One day, this happy bubble is threatened by the delivery of a mysterious tape. The tape contains static, surveillance camera-like images of their home. And the tapes keep coming. However harmless, the tapes get on the couples nerves, mostly because they cannot see and do not know the tapes sender.

As time goes by, the tapes are accompanied by gruesome, worrisome child drawings. Slowly but surely, these deliveries bring out Georges memories of an horrifying event in his youth but he hides from everyone in reformation definition his surroundings, including his more and more alienated wife. The police, however, can not help the worried couple, because there is no apparent threat lying within these tapes. Therefore, Georges starts an investigation himself, which leads him, on the basis of the tapes, to the apartment of an referencing an essay, Algerian man named Majid (Maurice Benichou). This mans parents used to work for Georges family when they were young, but after they were killed in the 1961 Paris massacre, Majid lived at Georges place. Georges confronts Majid with the Look Like? Essay, tapes, but he denies any involvement. Referencing! However, this confrontation leads to unpleasant flashbacks for What A Novel Like? Essay Georges, which enhance his certain feeling of guilt. His reticence more and an essay, more enlarges the gap between him and his wife.

Meanwhile, the paranoia in the protestant reformation the Laurent family reaches a climax, when son Pierrot does not show up one night. Georges and Anne suspect Majid of kidnapping their son. Referencing! A confrontation with both him and his son leads, however, to nothing but a one night imprisonment for topics the two Algerians. Hereafter, Majid wants to prove to Georges that he did not send the tapes, and thus he desperately slits his throat in front of referencing an essay, Georges. It is revealed that Georges is the cause that Majid was sent to an orphanage instead of being adopted by Georgesparents.

After Majids death, his son comes up to Georges, but their conversation is topics one of denial. In the referencing an essay, last shot, we see Majids son encounter Georges son Pierrot, filmed in the same style as the tapes. We dont hear their conversation. The sender of the tapes is never unravelled. Now that the plot is mostly described (and inevitably spoiled), I will analyse in this paragraph the way the americans in hollywood, aforementioned forms of mediation function in Cache . After a relatively brief analysis of the working of immediacy and hypermediacy, I will explain the an essay, meaning of remediation in this film. 3.1 Immediacy in Cache : beyond the hidden camera. Opening shot. The first of many tapes that constantly observe the Laurent maison.

One would probably not expect a sense of immediacy in a film, that draws the attention in such an topics, explicit manner to the medium (the camera). Yet, Cache utilizes more or less conventional techniques to immediate the narrative. The film starts with a protracted shot of the house of the Laurent family ( illustration 1 ). Nothing seems to referencing happen, but then suddenly we here the voices of Georges Laurent and his wife Anne off-screen. They are apparently in the same position as the essays for kids, audience, since they are commenting on the images we are watching. This remarkable editing helps us enter the narrative of Cache . We get the an essay, idea that these things are happening in the present time, here and now.

As the film progresses, this off-screen commentary on the showed images gets repeated once or twice. Negative Cross Price Elasticity! Regardless of the integral displayed tapes, Haneke gives us conventional shots in following the struggles of the referencing, Laurent family. Although these shots are more static and contain more long takes than in an average film, this cinematography can be identified as plain picturing of events. This common way of shooting helps to forget the medium in between, and in doing so, we tend to believe this realistic presentation of the protestant definition, fictional events. When we look beyond the hidden camera and the sender of the tapes, we can easily be drawn into the thriller-like narrative. Referencing! Yet, immediacys antithesis prevents us from being fully unaware of the smoking, medium.

Naturally, the most striking element in Cache is the mysterious, subjective camera. The above mentioned off-screen commentary of the an essay, characters of Should A Novel, Georges and Anne gives the spectator a feeling of personal involvement, as if we are part of the directors conspiracy to expose the lives of the Laurent family. In the first instance, it seems that Georges and Anne share their perceptions and worries with the spectator, but later on the spectator seems to betray the referencing, ones that trusted him. This may sound a little melodramatic, but it means that, as the film progresses, the audience becomes the secret creator of the tapes. When the spectator realizes that these tapes cannot be attributed to one of the films characters, he does not share the the protestant, whodunit -worries of the Laurent couple anymore. Now, he simply scrutinizes their movements closely and mercilessly. This transformation causes a shift in our viewing pattern.

At this point, we gave up attempts to enter the narrative and to have a sense of referencing an essay, immediacy. Cross Price! On the contrary, we accepted the referencing, fact that there is negative cross a medium in between, and more specific a surveillance-like camera. Unconsciously, we accept that we are as well responsible for the uncovering of the referencing an essay, lives of mainly Georges Laurent. 3.3 Remediation in Cache : the role of television. Now that the more superficial aspects of mediation that is, the processes that have influence on the films perception or style rather than its narrative in Cache have been analysed, I will analyse the americans in hollywood, reason for these extraordinary steps into the realms of mediation. Both immediacy and hypermediacy support in this film the referencing an essay, most important process of mediation: remediation . The TV book show, hosted by Georges Laurent (middle). In my opinion, Cache is all about the telly ( illustration 2 ). It is the remediation of the television, by offering implicit critique on this medium. In the films perspective, television exploits suffering by constantly showing abstractions of events, mainly events of violence.

Because of this distance, viewers become desensitized to violence. Yet, as Haneke makes the spectator partly responsible for the exposing of the lead characters lives, the viewer gets criticized: in the end, it is the audience, and not the medium, that decides to disregard the images presented (Goswami 2005). At the prince, same time, the sense of immediacy that is created blurs the line between representation and reality. Naturally, both film and television are real artefacts, consisting of various real elements. But, as I mentioned before, we experience the presence of the medium of the television, and this experience of media is the subject of referencing, remediation. In the remediation of the media experience, we can see the reflection of modern societys demands.

Throughout the years, television has more and more become a voyeuristic medium, culminating in television shows like Big Brother . Negative Cross! In programs like these, we are offered the possibility to watch the behaviour of referencing, human beings caged in an extremely mediated house, that closely resembles hamster labyrinths. In Cache , we can see the same process: we follow different characters like flies on the wall, and the mediated nature of topics for kids, their house in this case, their entire world wields psychological pressure on them. This psychological pressure results in a true reform of reality. By simply being media, the surveillance-like, subjective camera breaks through the superficial reality of the referencing an essay, lives of the lead characters, and exposes their true colours. This observing camera, which is strongly related to the techniques of television, makes the cultural distinctions so present on television (for example, in topics the TV book program of Georges) part of reality. Suddenly, lives are judged by standards of success, financial position and origin.

This is illustrated by the juxtaposition of the lives of Georges and Majid. Cache is a fascinating experiment with forms of mediation. By making the viewer aware of both the an essay, medium and even the viewers unawareness created by a sense of immediacy the film draws the attention to the way the audience watches. In its voyeuristic topic, it fulfils the spectators demands driven by television ideologies represented in shows like Big Brother . A modern day audience is used to and juliet prince quotes close scrutiny of everyday lives. Yet, as with the events so abstractly depicted on television, we remain at referencing, a safe distance. The suffering of Georges and cross, Anne Laurent is being exploited, and we have become desensitized mainly because the logic of hypermediacy has let us betray the characters whose worries we shared in referencing an essay the beginning. And betrayal is the key word in prince quotes modern societys viewing demands. Every day, many lives are being mercilessly displayed on an essay, the small screen, and the desensitized audience has no devices to value these lives properly. We disregard the smoking, images presented (Goswami 2005); the referencing an essay, audience is safe and essays topics for kids, sound in its golden cage supplied with remote controls.

This may be a bold statement, but in my humble view, it is precisely what Cache shows us. The viewer has, in general, become aware of the an essay, medium in between, and modern societys television-driven demands do not contain the smoking in malaysia, desire for immediacy. Referencing! On the contrary, the audience is pleased by the comfortable distance from the subjects within the americans, images being exhibited (Goswami 2005). The audience is also not interested in the way media reform reality, or influence peoples lives. As the referencing an essay, bourgeois comfort gets mercilessly unravelled by the (television) camera, so are the in hollywood, lives of all that are being surrounded by mediation whether this is in referencing a isolated environment such as the Big Brother -house, or simply in Should Essay the present mediated society. We tend to forget that televisions cultural distinctions are just as present in reality. Cache is not about referencing an essay, Georges and reformation, Anne Laurent. It is not about an essay, who sends thevideotapes. It is about the way modern society is influenced by television, and about the desensitized demands of a comfortably distanced audience.

Through processes of immediacy, hypermediacy and Essay, eventually remediation, Michael Haneke tries to make us aware of this alarming situation. And to reach this goal, the film distracts, confounds, and frustrates so many viewers (Goswami 2005). Un monde de mediation dans limage cache . This essay has been written as a final assignment of the bachelor course of Performing at the Edge: Transmedialities, part of the Media and Culture studies at referencing, the University of americans in hollywood, Amsterdam, under the auspices of dr. Catherine Lord et al. All rights reserved. Referencing! Original copyrights are owned by this weblogs author. Adorno, Theodor W. Transparancies on film.

Translated by Thomas Y. Levin. New German Critique , no. 24/25, Special double issue on new German cinema (Autumn 1981 Winter 1982): 199-205. Austin, Guy. Drawing trauma. Visual testimony in Cache and and juliet prince, Jai 8 ans . Screen , vol. 48, no. 4 (Winter 2007): 529-536. Bolter, Jay, Richard Grusin. Remediation. Configurations , vol. 4, no. 3 (Fall 1996): 311-358.

Bordwell, David, Kristin Thompson. Film art. An introduction. International Edition . New York: McGraw-Hill, 2008. Cousins, Mark. After the end. Word of mouth and Cache . Referencing An Essay! Screen , vol. 48, no. 2 (Summer 2007): 223-226. Ezra, Elizabeth, Jane Sillars. Introduction. Screen , vol.

48, no. 2 (Summer 2007): 211-213. Grusin, Richard. Premediation. Criticism , vol. 46, no. 1 (Winter 2004): 17-39. Lord, Catherine. The fortunes of remediation. Lecture at the University of Amsterdam, 2008.

The Internet Movie Database (IMDb) . Americans! Referencing An Essay! Daily update. 12-6-2008;gt;. Ill. 1: Cache The beginning. Culture Snob . Jeff Ignatius. 11-6-2008 http:// [2] See, for example, the many discussions on asian, the discussion board of the Internet Movie Database (IMDb) , for example the analysis of user raoul_coutard: nest/104160135. Registration required. [3] The term narrative is used in this essay according to the standardized definition of Bordwell and Thompson (2008: 75): a chain of events in referencing an essay cause-effect relationship occurring in time and space.

Although the definition seems to let no room for flexibility, it has become a common term for films in general, not only the cause-effect structured Hollywood narratives. Hello. Im in a master of modern literature and a great follower of cinema. I just wanted to reformation say that this was a rather convincing work mostly because youre right to throw away the irrelevant detective story question to focus on what the film says about the use of the moving image (cinema but also television) by modern societies and mostly its perversion, a recurring theme in Hanekes violent films. Referencing! Funny Games already showed the power of the director itself who can change history toward violence. Linking Cache to other Hanekes films can provide answers : for instance, his latest movie, winner at Cannes, The White Ribbon where violence is always hidden.

Moreoever, the Should A Novel Look Like? Essay, structure of the frame also helps, since Haneke always re-constructs his frame through windows, doors or of referencing an essay, course screens.

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Introduction to Musical Theatre Essay. The concept of referencing an essay musical theatre combines the drama and plot of a stage play with a musical component; the extent of this musical collaboration has changed over the years, from operas to orchestras to cross, full-fledged plays. From its humble beginnings to referencing an essay, its current status as Broadway spectacle, the art form has carried a great influence in the world of asian americans performance. In this essay, a detailed history of an essay musical theatre, from its infancy to now, will be explored. Musical theatre has had a long, storied history; the style dates all the way back to ancient Greek theatre, back in the 5th century BCE. In that time, Greek comedies and tragedies almost always had a musical component; songs and dance were common to essays, the plays of Aeschylus and referencing an essay, Sophocles, who acted as composers and choreographers to essays topics, their own works. In Rome in the 3rd century BCE, Plautus wrote comedies that also had orchestrations and choreographed dances to their songs. Roman theatre also innovated the process of dancing, creating crude tap shoes called sabilla , which were chips of metal attached to referencing, the shoes of performers to make their steps easier to hear and notice in asian americans in hollywood the large theatres they played in. The Middle Ages saw theatre take a much more mobile, nomadic route to referencing, performance; with traveling minstrels moving from town to town and village to essays for kids, village, performing songs and small routines. Small troupes of referencing an essay performers would do the same, offering slapstick-filled, delightful plays they would offer to those who would watch them.

The 12th and 13th centuries saw the in hollywood musical theatre advent of religious dramas, like The Play of Daniel and The Play of an essay Herod ; these dramatic works would have church chants interspersed within them, offering that musical component. This would evolve into cross price the mystery play, which told a story of the Bible in referencing an essay a musical manner. The mobility of performing troupes would also be made more efficient through the advent of and juliet prince quotes pageant wagons. These were mobile stages the referencing troupe would bring with them to provide added production value to their plays; they would settle down, perform their show, and pack up. These shows often consisted of poetic forms, prose dialogue, and musical numbers. In the Renaissance, musical theatre took a giant leap forward with the development of negative price commedia dellarte, a type of musical theatre where well-known stories were improvised by actors using the art of clown to referencing, create broad humor throughout. Music became a large part of Jacobean and Elizabethan plays; lutes, organs, pipes and more would play during these performances in order to enhance a scene. And Juliet Prince. Often, if a play was a tragedy or a heavier historical, it would be interrupted with short plays filled with music to add levity. This is where the jig was created; jiggs were broad, farcical afterpieces that followed these heavier works. In the Tudor period, court masques were created, where the first inklings of modern musical theatre were created. In these masques, elaborate set designs were combined with elegant and detailed costuming, as well as performances that combined singing, dancing and acting to music.

The purpose of these masques were often to flatter a royal patron or nobility that was in the audience at referencing the time. Elasticity. The masques were popular types of theatre created by playwrights such as Ben Jonson and William Shakespeare. Soon, just the musical components of referencing an essay masques would be made into operas altogether; acting as sung plays that would be the first templates of cross elasticity musical theatre. The famous French playwright Moliere created farces that would have musical components to them (song and dance numbers interspersed within the work). These developments led to an essay, the creation of English opera; some of the more famous playwrights were Thomas Shadwell, John Blow, Henry Purcell, and more. By 1685, however, English opera started to asian americans, lose its luster. In the 1700s, musical theatre in referencing England developed into two distinct varieties: ballad operas and comic operas. Definition. The Beggars Opera by referencing John Gay is the quintessential example of the ballad opera; it offered new lyrics spoofing the popular songs of the time, the olde English equivalent of a jukebox musical. Comic opera, on the other hand, carried a romantic plot set to original music; The Bohemian Girl by Michael Balfe is a fine example of the protestant a comic opera. An Essay. In the meantime, lighter, more fleeting forms of opera were being created, like Comedie en vaudeville and opera comique, which led to the notions of burlesque, melodramas, vaudevilla, and the notion of the music hall.

Since many London theatres only got a license as a music hall, plays had to have music in them; therefore, musical theatre became a more popular part of theatrical life in smoking in malaysia England, and this led to the popularization of an essay melodramas and price, burlettas. In Colonial America, the first real presence of theatre to be found did not happen until 1752, when a theatre was formed in Williamsburg, Virginia by William Hallam, which performed classic English plays. Soon after, however, they moved to The Beggars Opera and other ballad operas and farces in New York. This theatrical presence slowly morphed into what would become Broadway in the 1920s and 1930s. An Essay. These early plays were the first to be widely recorded and negative cross price elasticity, toured, with hundreds of performances in a single run for many musical plays. The further evolution of musical theatre came with the development of the operette, which was created in 1850 by the French composer Herve. Referencing An Essay. These were light musical comedies that would often provide broad satire and wit to asian americans in hollywood, the stage, combined with bright melodies and high energy. These would be the model for all musical theatre that would come after it. After Jacques Offenbach and an essay, Johann Strauss II would develop the style further, it would become popularized in the works of Gilbert and Sullivan, Irving Berlin and cross price, Rodgers and Hammerstein. The music hall and musical burlesques would comprise the majority of musical theatre in 19th century England. The Black Crook proved to be the an essay very first play that would fit the modern conception of the and juliet prince musical this combined dance and original music which would supplement the straightforward story being told.

In 1866, this play premiered in New York and became a staggering success. Other musical comedies came out referencing around this year, and the late 19th century saw comedic musical theatre that spoke to the common man, adding legitimacy to the theatrical proceedings. A Novel Look Like? Essay. The stories were no longer broad, royal farce; they were meant to be more legitimate, with complex plotting and significant characters. Referencing An Essay. By landing more reputable singers like Vivienne Segal, Fay Templeton and more, they offered significant credentials to those who put on these plays. Once the modern musical was developed, there were other changes to theatrical procedure that allowed for longer runs. With street lights and electricity, it was safer to come out at night; therefore, night shows became the norm, adding a larger number of performances for each show. With the topics for kids money that came from the added revenue these extra shows afforded them, production value of Broadway and West End shows increased substantially. Gilbert and Sullivan began producing large comic opera shows that would become extremely popular around this time; shows like HMS Pinafore and The Mikado , as well as The Pirates of Penzance , were family friendly and an essay, very accessible, leading to worldwide success. Due to their unparalleled success, the americans standards for theatrical popularity changed dramatically.

Gilbert and referencing an essay, Sullivan also pioneered several conventions of the modern musical as well; in their shows, the dialogue and the lyrics were combined to make the story more understandable and sensible, even with the topics for kids integration of music into the performance. Referencing. P.G. Wodehouse, Ira Gershwin, Irving Berlin, Andrew Lloyd Weber and more would take this particular style of comic opera and develop it further. The Savoy operas in the 1880s began to enjoy considerable success in asian americans in hollywood America as well. Unlike the tawdry sensibilities of previous musicals, these shows were thought to be family friendly and respectable, something that was harder to look down upon. Referencing. Before these developments, musical theatre was often thought to romeo and juliet prince, be for perverts, a much seedier audience; now, theatre was for everyone, especially musical theatre. Broadway saw its fair share of musicals in the 1890s as well; attempting to referencing, ape Gilbert and Sullivan, many copycat productions took place, like El Capitan by John Philip Sousa. Ragtime became more popular as a freeform style of theatre, a different, more fast-paced and and juliet, modern variety of vaudeville. Musical comedies continued throughout the referencing early 20th century, through Tin Pan Alley-composed songs.

In Broadway, the runs were shorter than in the West End (never reaching thousands of performances like some Gilbert and price, Sullivan shows), but often would have longer tours with the an essay original cast. In the Gay Nineties (the subjectively wonderful 1890s in England, as they were known), musicals were becoming more popular on the London Stage. George Edwardes took over the Gaiety Theatre, seeking to reformation, change it from the bawdy burlesque show that it was and providing a straightforward, light musical alternative to the heavy, absurdist and politically charged Savoy operas that were the flavor at the time. He decided to try doing family friendly, breezy, lighthearted comic romances, combined with style and referencing, spectacle. While there were burlesque elements to them, there were also comic opera traditions sprinkled throughout, and the replacement of low-class burlesque dancers with respectable dancers and singers. These types of plays were such a success, they would determine the americans next thirty years of referencing an essay musical theatre in London. Many of these plays, like The Shop Girl and A Runaway Girl , followed the tropes of the protestant reformation definition romances where the poor maiden falls in love with royalty, and faces many obstacles before finally winning him. These set the tone for musical comedies that would sweep across the face of musical theatre in both England and America, as many other theatres would copy these shows with increasing complexity, including Sidney Jones The Geisha and San Toy . During this time, the operetta had been essentially removed from the English stage due to the prevalence of Edwardian musical comedies, but it made a comeback in the early 20th century with the operetta The Merry Widow, which premiered in 1907 in London and an essay, Broadway. Asian In Hollywood. This success led to the direct competition of musicals and operettas for the next few years, with new and old operettas being brought out on the stages of both American and England.

New operettas that premiered at this time included the works of Victor Herbert ( Babes in Toyland, The Red Mill, The Fortune Teller ), and referencing an essay, modern musical plays that were a bit more intimate. In an attempt to cash in on the still-popular Gilbert and Sullivan-style musical, P.G. What Should A Novel Like? Essay. Widehouse, Jerome Kern and Guy Bolton all came out an essay with Princess Theatre shows, which offered light entertainment while remaining continuous with its songs and plot, offering a complete, detailed and complex story throughout. What Look Like?. Unlike the an essay broader comedies of the time, and which had come before, situational comedies had a much greater influence, and the characters were more realistic. The songs were actually used to develop the characters or move the plot along; this was a breakthrough in the plotting and development of musical theatre. With the advent of the Princess Theatre musicals, these lighter shows proved they could integrate song and story just as well as Gilbert and Sullivan could. The theatre experienced a boom in business with the essays for kids start of World War I; given the devastation of the battlefield and the front, audiences flocked to the stages in order to referencing, get some escapism. Irene , a play by Harry Tiernet and romeo prince, Joseph McCarthy, premiered in an essay 1919 to widespread popularity, holding the Broadway record for Should Look Like? Essay longest run (670 performances) for referencing a long time. While those were impressive by American standards, they held nothing to the British capacity for holding a musical run; Chu Chow Chow ran for over two thousands performances. Essays. Revues started to become popular, as they incorporated light, multi-act performances that offered variety.

As the 20th century chugged along, American musical theatre began to take dominance in referencing both popularity and quality. The Theatrical Syndicate, led by Charles Frohman, spearheaded the development of shows like the Princess Theatre shows and many other Tin Pan Alley-inspired musicals. Jazz and ragtime became a much more popular component of modern musicals at the time, and cross elasticity, the Gershwin brothers, as well as Irving Berlin and others, started to get shows produced. This shift in American musical theatres popularity was due to the changes in society that were happening at the time; the increase in vernacular and naturalism that was desired by audiences of the modern era led to a slow death of the broad, the theatrical and the operatic. Shows and musicals were more direct with their plot, their characters and their intentions, and tradition gave way to referencing, innovation. The Roaring Twenties saw the advent of the motion picture, and negative price elasticity, its rise in popularity; this proved to be a challenge for theatres. Even though they were silent at first, and referencing, so could not offer the audio component of theatre, the creation of talking films like The Jazz Singer meant that it offered a real threat to live theatre. Musicals in that era started to bring in bigger stars and greater spectacle, offering loudness and music hall sensibilities in lieu of complex plotting and character development. Despite the topics for kids fact that there was not a whole lot tying these glorified revues together, they proved extremely popular and light entertainment. Theatre writers began to transition into popular music, as most of the music people were listening to referencing, at the time was what they heard in A Novel Essay these reviews and referencing, vaudeville shows. Production values increased substantially during this time, making the musical more expensive to produce than ever.

The concept of cross elasticity standards became popular in the 1920s; the lighthearted shows were never that memorable ( Sally, Oh, Kay! ), but their songs would stick in an essay the publics mind. As a result, they would be covered by a variety of popular music artists, like Cole Porter, Marilyn Miller, Fred Astaire. Operettas also came back into the limelight for a time, and Noel Coward and other composers started to enjoy newfound popularity. Show Boat in 1927 proved to be one of the most complex mixes of score and book that there had been to date; even the Princess Theatre musicals lacked this level of sophistication. There existed dramatic themes that were told with every component of the show, from the movement to the setting. This integration of production value with narrative complexity that rivaled anything that had come before. While this was popular, events like the Great Depression led to people going back to lighter entertainment. When the negative cross price Great Depression hit, it left people with little money to entertain themselves with; this mean substantially reduced ticket sales. It was also cheaper to an essay, go to the talkies than see a show, making it even more challenging for theatres to find an audience.

Vaudeville was eliminated by musical films, as they agreed to be filmed for one-off shows that effectively killed future live performances of asian in hollywood their work. There were still Show Boat -like shows that were great hits for those who could afford the ticket price; Of Thee I Sing was the first musical that was given the Pulitzer Prize. Anything Goes cemented singers like Ethel Merman, who would become the queen of musical theatre due to her loud, booming voice. The first Broadway show to star a black person (Ethel Waters), was 1933s As Thousands Cheer . Porgy and Bess proved to referencing an essay, be a very popular musical, created by George Gershwin and released in 1935. Modern musicals like Knickerbocker Holiday by Kurt Weill provided satire of FDR and asian americans in hollywood, detailed the history of New York City. With these more complex works, there were still lighter hits on Broadway, like Id Rather Be Right and an essay, The Dancing Years . Cole Porter came into popularity with Anything Goes and DuBarry Was a Lady . All of these contributions led to the overall success and survival of musical theatre, which was a miracle in a time when economic destitution was the Should A Novel Look Like? Essay worst this country has ever experienced. The evolution of musical theatre at this time allowed for fast-paced music, staging, choreography and more naturalistic dialogue, a far cry from the overt theatricality and melodrama of previous eras. Musical theatre in the 1940s would hit a new zenith with Rodgers and Hammersteins musical Oklahoma! Continuing the an essay Show Boat tradition of having complex plotting and serious storytelling amongst musical numbers, the show offered dream ballets and integrated the music more cohesively into the story, rather than providing dance as an excuse for men to see barely-dressed women. Agnes de Mille was the choreographer for asian this show, and it revolutionized the an essay format of musical theatre by providing a decided lack of tawdriness and an earnest desire for storytelling that was not present at essays topics for kids this level before. In the opening number, there were no showgirls, but instead the actual play began with Oh, What a Beautiful Mornin'.

This earnestness and quality of production gave the show rave reviews and unexpected popularity. It got the Pulitzer Prize, and referencing, the musical achieved new narrative heights. It turned into asian the first Broadway show to be considered a blockbuster, and was even adapted into film. In the canon of musical theatre, it was the first extremely successful Broadway musical, and an essay, it holds a beloved place as a milestone of theatrical history. The success of the play sent Rodgers and negative cross price elasticity, Hammerstein into incredible popularity, coming out with a string of further hits, like South Pacific, The King I and The Sound of Music.

In all of referencing an essay their shows, dark themes were presented in a way heretofore unseen in musical theatre; Oklahomas villain was a murderer, and Carousel tackled the theme of domestic abuse. Due to their vast creativity, everyone else wanted to emulate them, which meant a string of successive musicals in that vein; this led to the Golden Age of American musical theatre. The war itself was brought to What Should A Novel Look Essay, the theatre, with many war-themed shows becoming popular; On the Town showcased a shore leave between soldiers and their women, bringing wartime uncertainty and pathos to the big stage. Annie Get Your Gun, Finians Rainbow, Kiss Me, Kate and other such plays were modeled after the Oklahoma! trend of referencing having complex plots with integrated music within, enhancing the overall quality of the musical theatre canon. In the romeo and juliet prince 1950s, shows like Guys and Dolls, Paint your Wagon, My Fair Lady and more continued the tradition of complex characters within musicals; records continued to be shattered, with My Fair Lady running a record 2,717 performances. Each of an essay these popular musicals would have film adaptations made of them as well, bringing in a newfound collaboration between Broadway and Hollywood. Stars like Julie Andrews and Judy Garland dominated musicals at this time. Off-Broadway musicals also came to romeo and juliet, prominence, with shows like The Threepenny Opera and The Fantasticks proving that a show does not have to referencing, be part of the Broadway system to be critically and financially successful. The orchestras were smaller, and asian americans in hollywood, the scale was toned down, but they could still work. West Side Story adapted Romeo and Juliet into a modern New York City setting, and brought home significant box office returns and myriad Tonys. This cemented Stephen Sondheims reputation as a master composer for an essay musicals.

The 1960s saw even greater popularity and experimentation on the part of musicals. More blockbusters, such as Fiddler on the Roof, Hello Dolly!, Funny Girl and Man of La Mancha would be created, and some of the overt sexuality of the essays burlesque would come back with the popularity of Cabaret . Referencing. The rock musical would then usurp these musical styles by the end of the Should Look 1960s. Stephen Sondheim and Jerry Herman would significantly shape the pattern of musicals in this decade and the next, through the darker themes that he would explore in works like Sweeney Todd and A Funny Thing Happened on an essay, the Way to the Forum . These plays were bloody, cynical, and gritty, eschewing the sunny dispositions of earlier musicals to prince, make plays about singing surprisingly dark and brooding. Into the Woods and Assassins explored these themes further, showcasing a sophistication in lyrics and music that belied the overall exclusiveness of some of the referencing an essay plays themes. Soldheim tried a number of new things during this time, including reverse-engineering shows and breaking the in hollywood fourth wall to the audience, all things that made musical theatre challenging and intriguing again.

With the start of the musical Hair , rock music would be incorporated into musicals. Also, the Vietnam War was brought up as a theme, something which would prove controversial and also indicative of musical theatres propensity to challenge societal attitudes at the time. Racial tolerance was found in many Golden Age musicals, which were then resurfaced ( The King I, South Pacific , and referencing an essay, more). Racial integration finally occurred in the end of the 1960s; homosexuality was first openly explored as a theme in Hair , and romeo and juliet quotes, then moved onto an essay other shows. In the 1970s, with the advent of the rock musical, The Rocky Horror Show, Jesus Christ Superstar, Godspell and more started to bring in this rapidly popular style of music to the theatrical realm, bringing with it an negative cross elasticity added edge that was never before seen onstage. Some of these plays, like the Who musical Tommy , tended to work more towards concepts of an essay opera than they did musicals, with little spoken dialogue and most of the quotes story and character conveyed through song. African-Americans got their own musical representation onstage, portraying the black experience through The Wiz, Dreamgirls and referencing an essay, more. As the Broadway canon expanded, more and more variation occurred, with musicals of every genre coming into prominence. A Chorus Line proved to be a giant among contemporary musicals; released in 1975, the play, which was about an audition for a musical, broke narrative conventions in a fascinating way, also providing with it amazing music and spectacle, busting box office records and reaching incredible critical acclaim.

This led to more plays along that same style, such as Chicago, Pippin, Nine, Evita and the protestant definition, more. These were risque, tawdry yet liberating pieces, bringing sensuality to the stage without it being classless or inaccessible. In the 1980s and 1990s, pop music began to invade musicals to a larger degree, and referencing, larger production values brought incredible spectacle to these productions, like falling chandeliers in The Phantom of the Opera . Novel and literary adaptations were beginning to be the smoking in malaysia norm, and an essay, European influences were more and more prevalent. Andrew Lloyd Webber became an incredible mega-hit musical creator with Cats and Evita , The Phantom of the Opera and more. A greater emphasis on adaptations has been put forth as the americans 1990s rolled along; corporations began to get into the Broadway game, with the Disney Company allying with Broadway to adapt their musical films to referencing an essay, the stage; Julie Taymors production of A Novel Essay The Lion King stands out among that canon. With the referencing an essay greater opportunities available for smaller playwrights to create small-scale musicals, musical theatre split into larger, spectacle-based musicals of Broadway, and smoking, the quirkier, smaller musicals of off-Broadway. Little Shop of Horrors , Bat Boy: The Musical , and others provided smaller scale but interesting stories that eschewed overly elaborate set pieces for small sets of characters and developed storylines. Incredible innovations would come from shows such as these, and a new niche audience was created for them.

In order to attract younger audiences, Rent was released on Broadway and an essay, the West End, a dramatic tale of New York bohemia, rock music, and AIDS. The incredible success of the romeo and juliet musicals invigorated the theatre scene with a much younger demographic, leading to the advent of interesting, new and unusual shows. An Essay. Urinetown and negative cross price elasticity, Avenue Q brought modern, crude but wacky humor to smaller stages, Spring Awakening and other shows doing the same. While Broadway continued to play it safe with their familiar shows, the an essay rise of adaptations began to surface. Wicked , The Producers, Spamalot, Hairspray and others indicate a modern, ongoing trend of romeo and juliet taking an established property and making it into a musical.

The point of referencing this is to offer something familiar, which audiences already know from established material and asian americans, have a fondness for, and offer a musical component to it. The jukebox musical, exemplified by Mamma Mia! and others, continues this trend of offering familiar songs framed around a new story.